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About meRageeb Amoori was born in Baghdad, in 1971, graduated of the Institute of Fine Arts / Department of Arabic calligraphy and Islamic ornamentation.
Holds a technical diploma in 1991. began as amateur in photography in 1983. Then learn the printing and Acidification photographs black and white in 1984 by photojournalist Abd al-Elah atharah, in the newspaper «Voice of the farmer» with his father, a journalist Amoori Al-Ramahi. Then mastered photography and the first time Acidification and print photographic film Black and White in 1985 with photojournalist Jumah Breesam.
Practiced the profession of photography in various areas of the environment. Turn professional photography in 2003. He focused on the imaging industry advertising. Continued to practice photography work yet. Cared in portrait, daily life, lives of people, nature, Landscape , historical monuments, archaeological sites, ancient Baghdadi alleys, crafts, occupations and old Baghdadi popular industries.
Worked in Dar al-Naseeb studio of Photography with photographer Hormuz Yalda, and then worked with his son›s Naseeb Hormuz Yalda, then worked in the studio ‹›lens of art››, then worked with the artist Fuad Shakir founder of ‹›the Academy of photograph art›› and became one of its members, then worked in the laboratory of Fanar for printing and Acidification photographs with the young photographer Ara Samson Krekor. Worked in the Iraqi Association as a filming typo then worked as a designer photojournalist in al-Sabah newspaper.
Published about him many subjects in the news and topics in Iraqi newspapers and Arab countries, including Qatar and the Arab newspaper Al-Sabah newspapers and al-Mashriq. also has published several photos in the magazine Free Iraqi.
Writing about the artist Rageeb Amoori, is like attempt to fly with wings flying in space full of freedom and beauty of this rich space of vocabulary and scenes that reflects the visual distinct culture able to realize the true meaning of photograph through the study of the characters and scenes by mixing the people of experience and art. The professional artist Fuad Shakir has left lots of dreams and hopes in him, which sought to achieve in science, training and development was a large group of fantasies where fingerprints clear advantage for others. The late Fuad Shakir, boasts that his disciples because he knew the true meaning of humanity and a sense of others wounded inspired by the magic of a mentor black and white transported between the letters and documents the lives of ordinary people to work where a lot of creativity fueled by culture and good feelings.
loved Baghdad in every details; mosques, palaces, buildings. moved between those majestic structural ruins cautiously watching the details of the things left by Baghdadi architect search in the books to be an educated photographic substantiated and constants scientific he mastered Find the center of the city for the voice of history and the smell of heritage and fragrant past and the palms of Builders and fingertips sculptor lines creators was the epic big treasure full of precious things, was always searching for our ancestors Abbasid and monuments timeless and the influence of Islamic architecture on the old Baghdad that are still charming despite the limitations of time and great neglect but proud and clear-cut was diagnosed each stone to form a masterpiece wander forth hearts soft full of love.
Navigate to the nature pace sober to pick up the most beautiful scenes of sunset and sunrise in Iraq, he was spending hours keeping watch crucial moment to pick up valuables from the womb of nature was the most beautiful photographic work into full diversity and wealth of knowledge, firm mountains and clouds fugitive and the sun timid and snow that covers the bodies of rocks and fountains of water that make their way with difficulty and then starts torrential were present in his works.
Not only so much of the beauty of the stems towards Sumer where Gilgamesh researcher for the herb of immortality and Enchido, and riverbanks and shafts reeds and Sumerians guesthouses and marsh canoes, which find their way among the columns of reeds and breezes papyrus, which is teetering on the echo of the songs Sumerian They make their silence marshes ... buffalo herds and houses deployed on the edge of the marsh and in his core all of which were a source of creativity, which nip him a lot of colors and reflections innocent timid houses reeds on the face of the marshes were present in his mind and in his work, which was characterized as the worlds of beauty became riveted on the lens clever picked what you crave from this large amount of the iceberg of love to be a love letter talking about Ma'dan, buffalo and packs papyrus and mellowness pole and live within the confines of nature.
Ragheeb Ammori, great title for Baghdad and its history, heritage, crafts to address the biggest Iraq Sumerians and the birth of life on the banks of rivers.